In October 2019, Banksy staged one of his most conceptually layered interventions through Gross Domestic Product, a temporary storefront in Croydon that functioned less as a commercial space than as a philosophical trap. Created in response to a legal challenge over the use of his name, the project allowed Banksy to assert trademark legitimacy while … Continue reading GDP Flower Thrower, GDP Rat & GDP Crisis As Usual, 2019