Toxic Mary, 2003

A Subversion of Faith, Trust, and Inherited Belief Toxic Mary stands among the most incisive appropriations in the work of Banksy, reconfiguring one of the most enduring images in Western art, the Madonna and Child, into a quietly disturbing reflection on trust and transmission. Rather than attacking religion directly, Banksy intervenes with surgical precision, altering … Continue reading Toxic Mary, 2003