‘A poignant and insightful picture that powerfully critiques organized religion,
and no-one wants to buy. Absolutely nobody.’
Toxic Mary portrays Virgin Mary, cloaked in drapery, feeding her infant, in the style of a classic Renaissance painting. However, in this version, her baby is fed with a bottle marked with a skull and crossbones as if it were poison. Unlike Banksy’s usual clean style, paint drips are running across the image, just as if the scene was melting before our eyes, evoking a sense of despair.
‘Some mothers will do anything for their children, except let them be themselves.’
Banksy portrays religion as a toxic ideology passed from parents to children. More widely, the artist comments on the general toxicity of family relationships, in which outdated ideas and traditions repeat themselves. It may well also illustrate how our societies promote Big Pharma baby formula over natural breast milk. Indeed, as it is always the case with Banksy, there are a few different readings to his art. The label on the milk bottle clearly targets pharmaceutical companies that produce formula milk for babies. The mother willingly uses what she thinks is best for her baby, because she has been assured this is the right thing to do…
The figure of the Madonna is one of the most easily recognizable, most frequently produced images in the history of art. The word Madonna is derived from the Italian ‘ma donna,’ or ‘my lady’ and is used to describe Mary, the mother of Christ. The most well-known examples of The Madonna and Child were completed by Italian painter Raphael, who moved from his native Urbino to Florence at the turn of the 16th century. Over the course of his career, the artist created more than 30 paintings of The Madonna and Child, for devotional panels and commercial sales, as well as gifts for friends, including one wedding present. His representations are considered among the most reverential and graceful of Mary and Jesus.
Oil on yew wood, 27.9 x 22.4 cm
The National Gallery, LondonBanksy also created a few originals based on this provoking visual.
180×188 cm (74 x 70 3/4 inches)
Christie’s London, 12 February 2020
GBP 455,250
Enamel and emulsion on cardboard
200.4 x 170.2 cm (79×67 inches)
Christie’s London, 26 June 2019
GBP 419,250
DESCRIPTION
Toxic Mary
Editions
Unsigned Edition:600
Numbering and Signature Placement
With or without the publisher’s blindstamp
COLORWAYS
Edition: 44 signed
AUCTION RESULTS
Updated as of 15 March 2023
1. Toxic Mary (unsigned)
Phillips London: 22 September 2023
Estimated: GBP 12,000 – 18,000
GBP 17,780 / USD 21,866
BANKSY
Toxic Mary (unsigned), 2004
Screenprint in colors on wove paper
Numbered 484/600 in pencil with the publisher’s blindstamp, lower left
Sotheby’s online: 20 April 2023
Estimated: GBP 12,000 – 18,000
GBP 13,970 / USD 17,390
Toxic Mary (unsigned), 2003
Numbered 429/600 in pencil, with the publisher’s blindstamp, lower left
Christie’s online: 14 March 2023
Estimated: GBP 15,000 – 20,000
GBP 18,900 / USD 23,247
Toxic Mary (unsigned), 2003-04
Numbered 235/600 in pencil, lower right
Toxic Mary, 2004
Numbered 484/600 in pencil with the publisher’s blindstamp, lower left
Sotheby’s online: 17 August 2022
Estimated: GBP 15,000 – 20,000
GBP 21,420 / USD 25,504
GBP 22,680 / USD 29,938
GBP 88,200 / USD 122,598
2. Toxic Mary (signed)
Toxic Mary (signed), 2004
Signed, dated and numbered 77/150 in pencil, lower right
Phillips London: 19 January 2023
Estimated: GBP 20,000 – 30,000
GBP 31,500 / USD 38,745
GBP 48,028 / USD 68,200
Toxic Mary (signed), 2003
Signed and dated in pencil, lower right
Numbered 119/150 in pencil with the publisher’s blindstamp, lower left
Sotheby’s online: 18 September 2020
GBP 63,000 / USD 83,160
3. Toxic Mary (Colorways)
Only one Colorway sold at auction so far. Toxic Mary (Gold and Pink) sold at Sotheby’s online on 18 March 2021 for GBP 119,700 (USD 166,483).