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Original

KEEP IT REAL, 2000

Keep It Real, 2000
Title
Keep It Real
Year
2000
Medium
Spray paint, emulsion and oil stick on board
Dimensions
122x122 cm (48x48 inches)

Catalogue Note

Keeping It Real

Executed in 2000, Keep It Real belongs to Banksy's formative period and presents a strikingly different version of an image that would later become closely associated with his monkey imagery. Here, instead of the familiar chimpanzee wearing a sandwich board, Banksy depicts an almost childlike stick figure carrying the instruction “Keep it real.”

The drawing is deliberately crude. The oversized circular head, mismatched eyes, awkward smile and spindly limbs have the spontaneity of something scribbled rapidly in a notebook or on a wall. One leg kicks outward while the arms extend in opposite directions, giving the figure a strangely cheerful, unstable movement. Against the large white field, it appears simultaneously innocent and slightly deranged.

From Drawing to Stencil

The work is particularly interesting because Banksy combines different visual languages within the same composition. The figure is loose, gestural and almost primitive, while the words on the placard are controlled and typographic. The contrast between the handmade character and mechanically ordered text is central to the image: a figure that could hardly look less polished carries an instruction demanding authenticity.

The materials reinforce that tension. Spray paint and emulsion connect the work to Banksy's street practice, while oil stick allows for the rough, immediate lines of the figure. The generous 122-centimetre square format leaves an extraordinary amount of empty space around it, making the little character appear exposed on the surface rather than enclosed within a conventional composition.

An Idea Banksy Would Keep

The phrase would prove remarkably durable. Banksy later transferred KEEP IT REAL to one of his most recognizable monkey compositions, replacing this fragile cartoon figure with a chimpanzee wearing a sandwich board. That transformation is revealing. The character changes completely, but the basic mechanism survives: an outsider carries a slogan about authenticity.

The phrase itself contains a typically Banksy-like contradiction. “Keep it real” belongs to the language of authenticity and resistance to pretension, yet the moment such a phrase becomes a slogan it risks becoming exactly the kind of formula it supposedly rejects. Banksy would spend much of his subsequent career operating inside that paradox—an artist emerging from illegal graffiti who would eventually become one of the most commodified figures in contemporary art.

Seen from that later perspective, this early Keep It Real feels almost prophetic. Before the monkeys, auction records and international mythology, there is simply a strange little figure standing in an enormous white space offering three words of advice.

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