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THE CATALOGUE/ORIGINALS/Mona Lisa, 2000
Original

MONA LISA, 2000

Banksy, Mona Lisa, 2000
Title
Mona Lisa
Year
2000
Medium
Spraypaint stencil on board
Dimensions
48×48 inches (122×122 cm)
Signature
Stenciled with the artist’s name ‘BANKSY’ (lower left)

Provenance

  • Acquired directly from the artist by the present owner

Auction History

Christie’s London
24 June 2019
Est. GBP 600,000–800,000
GBP 731,250
USD 928,330
View lot
Sotheby’s London
28 February 2008 · Lot #325
Est. GBP 30,000–40,000
GBP 168,500
USD 335,115
View lot
Sotheby’s London
22 June 2007 · Lot #333
Est. GBP 40,000–60,000
GBP 156,000
USD 311,680
View lot

Prices are inclusive of buyer’s premium unless stated otherwise, as reported by the auction houses.

Catalogue Note

Bold and irreverent, Mona Lisa is a large-scale rendition of one of Banksy’s most iconic subjects. The protagonist of Leonardo da Vinci’s masterpiece is wrestled from her original context, blasted in monochrome spray paint and endowed with a rocket launcher. Banksy realized at least two versions of this visual, Mona Lisa holding her firearm, either on the right or on the left hand-side.

Painted in 2000, the work dates from a pivotal moment in the career of Britain’s best-known – and most elusive – street artist. Coming to prominence as a teenager in Bristol in the early 1990s, Banksy began to achieve critical acclaim at the turn of the millennium, relocating to London whilst keeping his identity a closely guarded secret.

Banksy also realized a few murals based on this provocative visual.

His early freehand graffiti gave way to his signature use of stencils, allowing him to work at greater speed. Banksy claims that this change in approach was inspired by viewing a stenciled serial number on the underside of a rubbish lorry, where he once took refuge from the police.

Recalling famous appropriations of the Mona Lisa by Marcel Duchamp and Andy Warhol, the present work takes its place within Banksy’s satirical, subversive and darkly humorous pantheon of imagery. At the same time, its subject retains some of the original painting’s enigmatic qualities: Mona Lisa is both attacker and target, her smile betraying nothing.

Banksy would return to the Mona Lisa throughout his practice, painting her in a variety of profane guises. In 2004, as part of a stunt, he hung one of his own versions of the painting in the Louvre Museum (home to the original work) replacing the subject’s face with a yellow smiley emoticon.

Leonardo da Vinci, Mona Lisa, Louvre Museum, Paris

Banksy created another Mona Lisa, with her gun facing the other way…

BANKSY Mona Lisa with AK47, 2000 Spray-paint stencil on board 122×122 cm (48×48 inches) Stenciled “BANKSY”, lower right

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