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Ballerina CP/03, 2013

BY

BANKSY
Ballerina CP/03,
2013
Spray-paint on canvas
40.7 x 30.5 cm (16×12 inches)
Signed and numbered “BANKSY CP/03” on the overlap
Provenance
‘Better Out Than In’, Central Park, New York
Acquired from the above by the present owner in October 2013

Auction History

Phillips Hong-Kong
26 May 2019
Est.: HKD 3,000,000 – 4,000,000
Price Realized
HKD 3,250,000 / USD 414,105

Catalogue Note

Ballerina (CP/03) distills one of Banksy’s recurring artistic concerns into a single, haunting image: the coexistence of grace and vulnerability. Rendered in his unmistakable stencil style, a ballerina balances effortlessly en pointe, her poised arabesque embodying discipline, beauty and apparent perfection. Beneath her, however, one uncompromising word interrupts the elegance of the composition: FRAGILE.

The juxtaposition is quintessential Banksy. Ballet has long been regarded as one of the highest expressions of refinement, yet behind every effortless performance lies extraordinary physical sacrifice. Dancers spend years pushing their bodies to the limits of endurance, where beauty is achieved only through pain, repetition and the constant risk of injury. The work therefore reminds us that perfection often conceals profound vulnerability.

The image also resonates on a broader symbolic level. The ballerina represents more than dance itself; she becomes a metaphor for the human condition. We all strive to project confidence, balance and composure while concealing our own uncertainties and emotional fractures. The warning “FRAGILE,” borrowed from the language of shipping and packaging, humorously suggests that people, no less than precious objects, require care in handling.

Unlike Banksy’s more confrontational political works, Ballerina is remarkably introspective. There is no visible act of rebellion or satire directed at institutions. Instead, the artist turns his attention toward the quiet fragility that underlies beauty itself. The restrained composition, with its vast white background and economical use of black and red, reinforces this sense of delicacy. Every unnecessary detail has been removed, allowing the viewer to focus entirely on the tension between movement and vulnerability.

The word “Fragile” also forms part of a broader visual vocabulary that Banksy explored during this period. Appearing in several contemporaneous works, it became a recurring motif through which he reflected on the precariousness of life, memory and the human experience. Here, however, the concept finds perhaps its purest expression. Rather than depicting brokenness, Banksy celebrates resilience. The ballerina continues to dance despite the warning beneath her feet, suggesting that true strength may consist not in being unbreakable, but in continuing to perform despite our inherent fragility.

This particular canvas carries an additional layer of significance through its provenance. It was one of the signed originals sold anonymously during Banksy’s legendary Better Out Than In residency in New York in October 2013, when unsuspecting passersby were able to purchase authentic works for just $60. As with the performance itself, Ballerina (CP/03) quietly reminds us that value, like vulnerability, is rarely visible at first glance.

Gallery

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