
BANKSY
Heavy Weaponry (On Multi-Colored Background), 2009
Spray-paint and acrylic on board, in artist’s frame
59.4 x 70 x 5.5 cm (23 3/8 x 27 1/2 x 2 1/8 inches)
Signed ‘BANKSY’ (lower right); signed and dated ‘BANKSY 09’ (on the reverse)
This work is from a varied series
Provenance
Private Collection (acquired directly from the artist)
Anon. sale, Sotheby’s London, 16 February 2011, lot 227
Acquired at the above sale by the present owner
Exhibited
Bristol, Bristol Museum & Art Gallery, Banksy vs. Bristol Museum, 2009 (another from the series exhibited).
Auction History
Christie’s London: 29 June 2023
Estimated: GBP 200,000 – 300,000
Price realized: GBP 195,300 / USD 246,373
Sotheby’s London: 16 February 2011
Estimated: GBP 12,000 – 18,000
Price realized: GBP 85,250

With its elephant protagonist seemingly resigned to its fate, Heavy Weaponry condemns humankind’s propensity for destruction. In its bold, absurdist depiction of military drudgery, the work demonstrates the witty social and political commentary through which Banksy has sought to condemn mass violence. His seminal Love Is In The Air, painted on the West Bank barrier wall, railed against the need for conflict; so too did images such as ‘Bomb Hugger’ and Happy Choppers, which became poster images for protests against military action in the Middle East in 2003. In Heavy Weaponry, as in many of his other works, Banksy uses an animal as a stand-in for the people, here drawing a parallel between the ‘heaviness’ of the elephant and the gigantic missile strapped to its back. Elsewhere, works such as Monkey Detonator and Laugh Now had used monkeys to lampoon abuses of power, humorously satirizing our disregard for nature and the world around us. This rebellious, anti-establishment ethos permeates the present work, offering a powerful riposte to modern warfare.



