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Heavy Weaponry (Multi-color Background), 2009

BY

BANKSY
Heavy Weaponry (On Multi-Colored Background), 2009
Spray-paint and acrylic on board, in artist’s frame
59.4 x 70 x 5.5 cm (23 3/8 x 27 1/2 x 2 1/8 inches)
Signed ‘BANKSY’ (lower right); signed and dated ‘BANKSY 09’ (on the reverse)
This work is from a varied series

Provenance
Private Collection (acquired directly from the artist)
Anon. sale, Sotheby’s London, 16 February 2011, lot 227
Acquired at the above sale by the present owner

Exhibited
Bristol, Bristol Museum & Art Gallery, Banksy vs. Bristol Museum, 2009 (another from the series exhibited).

Auction History

Christie’s London: 29 June 2023
Estimated: GBP 200,000 – 300,000
Price realized: GBP 195,300 / USD 246,373

BANKSY (christies.com)

Sotheby’s London: 16 February 2011
Estimated: GBP 12,000 – 18,000
Price realized: GBP 85,250

(#227) Banksy

 

Presented in an artist’s frame, Heavy Weaponry (On Multi-Colored Background) is a striking example of Banksy’s satirical and socially charged compositions. Executed in 2009, it is closely related to another version that featured in his landmark exhibition Banksy vs the Bristol Museum that same year. Rendered in his instantly recognizable hand-cut stencil technique, the work depicts an elephant charging across the picture plane with a missile strapped to its back. Behind the animal, brightly colored stripes recall a television error screen. Capturing the anti-war sentiment that has fueled some of Banksy’s best-known images, the motif of the armed elephant has recurred throughout his practice. First depicted in spray paint on fiberboard in 1998—against a colorful barcode labelled ‘Heavy Weaponry’—it was reimagined on canvas in 2000, spray-painted onto weathered iron in 2001, and depicted over another work, titled Radar Rat, on cardboard in 2002. Replete with biting humor and dark irony, the present work offers a refinement of Banksy’s original spray-painted motif, returning for the first time to the colorful background introduced a decade earlier.

With its elephant protagonist seemingly resigned to its fate, Heavy Weaponry condemns humankind’s propensity for destruction. In its bold, absurdist depiction of military drudgery, the work demonstrates the witty social and political commentary through which Banksy has sought to condemn mass violence. His seminal Love Is In The Air, painted on the West Bank barrier wall, railed against the need for conflict; so too did images such as ‘Bomb Hugger’ and Happy Choppers, which became poster images for protests against military action in the Middle East in 2003. In Heavy Weaponry, as in many of his other works, Banksy uses an animal as a stand-in for the people, here drawing a parallel between the ‘heaviness’ of the elephant and the gigantic missile strapped to its back. Elsewhere, works such as Monkey Detonator and Laugh Now had used monkeys to lampoon abuses of power, humorously satirizing our disregard for nature and the world around us. This rebellious, anti-establishment ethos permeates the present work, offering a powerful riposte to modern warfare.

Gallery

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