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THE CATALOGUE/PRINTS/Love Is In The Air, 2003
Print

LOVE IS IN THE AIR, 2003

Banksy, Love Is In The Air (Flower Thrower), 2003, screenprint in colors
Also known as
Flower Thrower · LIITA
Medium
Screenprint in colors on wove paper
Year
2003
Sheet
50×70 cm (19 3/4 x 27 1/2 inches)
Printer & Publisher
Pictures on Walls, London
Edition
500, of which 50 signed
Artist's Proofs
27 signed AP
Numbering & signature
Numbered /500 in pencil lower right · no publisher's blindstamp · signed in black pen lower right (not necessarily numbered under 50)
The MarketAuction Results

Few images in contemporary art have achieved the immediacy and universality of Love Is in the Air. With a single gesture, Banksy transforms an act of violence into a symbol of fragile hope: creating one of the most enduring icons of modern protest culture. This page documents the 2003 print edition published by Pictures on Walls. The full reading of the image — its origin on the wall at Beit Sahour, its place in Banksy's anti-war work, and its artistic references — is set out on the dedicated Iconic Series page.

If you want to say something and have people listen, then you have to wear a mask.

The Image

The composition depicts a masked protester frozen in the act of throwing an object. His body is tense, leaning forward with force, his arm extended in a gesture that clearly evokes the throwing of a projectile: typically, a stone or Molotov cocktail. The figure is rendered in stark black and white, emphasizing anonymity and universality.

In sharp contrast, the object he is about to throw is a bouquet of flowers, depicted in color. Despite the apparent aggression in his posture, the figure is getting ready to launch a universal symbol of love and peace as opposed to a weapon. This print exemplifies both Banksy's formal artistic style and his political activism, representing a powerful call for peace.

The motif on a London wall.
The motif on a London wall.

The 2003 Edition

Released through Pictures on Walls in 2003, the edition comprised 500 prints, of which only 50 were signed — an unusually low proportion for the period, which contributes to the scarcity of signed examples. Twenty-seven signed artist's proofs were also issued. Unlike most Pictures on Walls releases of these years, the sheets carry no publisher's blindstamp, and the signed impressions are not necessarily numbered within the first fifty.

Love Is in the Air stands among Banksy's most important and enduring images. It has been reproduced extensively, referenced across popular culture, and exhibited globally. Its clarity and immediacy have made it one of the defining visual statements of early 21st-century street art. More broadly, the image encapsulates Banksy's unique position within contemporary art: an artist capable of producing works that function simultaneously as political commentary, cultural symbol, and highly desirable collectible object.

The Original on Canvas

One of the artist's most cherished works on canvas, further distinguished by the inclusion of hand-painted flowers in oil, Love is in the Air (2005) is a work that reminds us of the injustice and inequality that exists around us, and offers a simple message of hope. It is indisputable that this bold and declarative work helped to establish Banksy's place in art history.

Banksy, Love is in the Air, 2005. Oil and spray paint on canvas, 90×90 cm.
Banksy, Love is in the Air, 2005. Oil and spray paint on canvas, 90×90 cm.

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