BANKSY
Pie Face, 2006
Oil on canvas
50×40 cm (19 3/4 x 15 3/4 inches)
Stenciled with the artist’s signature, lower right
Provenance
Lazarides Gallery, London
Acquired directly from the above by the present owner
Auction History
| Sotheby’s London 21 June 2007 Est.: GBP 70,000 – 100,000 | Price Realized GBP 192,000 / USD 382,580 |
Catalogue Note
“If you want to survive as a graffiti writer when you go indoors. I figured your only option is to carry on painting over things that don’t belong to you there either.”
Over the last few years, a disguised Banksy has succeeded in placing his corrupted oil paintings onto the walls of the world’s most respected museums and art galleries including The Louvre, The Tate, The British Museum and New York’s Museum of Modern Art. These light-hearted gestures of ‘art terrorism’, many of which hung for several days before being noticed and removed, poke fun at the closed and elitist nature of the art world as it is perceived by many. In this, as well as in their use of another artist’s work as a readymade, Banksy’s crude oils draw clear parallels with works like Marcel Duchamp’s L.H.O.O.Q., Robert Rauschenberg’s Erased De Kooning Drawing, and more recently Jake and Dinos Chapman’s Disasters of War in which they reworked an entire series of Goya’s original prints.




