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Toxic Mary, 2003

BY

Toxic Mary, 2003
Editions: 150 signed, 600 unsigned

‘A poignant and insightful picture that powerfully critiques organized religion,
and no-one wants to buy.
Absolutely nobody.’


Toxic Mary
portrays Virgin Mary, cloaked in drapery, feeding her infant, in the style of a classic Renaissance painting. However, in this version, her baby is fed with a bottle marked with a skull and crossbones as if it were poison. Unlike Banksy’s usual clean style, paint drips are running across the image, just as if the scene was melting before our eyes, evoking a sense of despair.

 

‘Some mothers will do anything for their children, except let them be themselves.’

Banksy, Cut It Out, December 2004

Banksy portrays religion as a toxic ideology passed from parents to children. More widely, the artist comments on the general toxicity of family relationships, in which outdated ideas and traditions repeat themselves. It may well also illustrate how our societies promote Big Pharma baby formula over natural breast milk. Indeed, as it is always the case with Banksy, there are a few different readings to his art. The label on the milk bottle clearly targets pharmaceutical companies that produce formula milk for babies. The mother willingly uses what she thinks is best for her baby, because she has been assured this is the right thing to do…

 

Toxic Mary, initially entitled Virgin Mary was released at a price of GBP 150 for a signed print, and GBP 74.99 for an unsigned print. Toxic Mary first appeared at Turf War, Banksy’s exhibit in London in 2003.
Unique colorways were made available at the 2007 Santa’s Ghetto, in Palestine, and were sold only to buyers who attended for a price of $10,000.

 

The figure of the Madonna is one of the most easily recognizable, most frequently produced images in the history of art. The word Madonna is derived from the Italian ‘ma donna,’ or ‘my lady’ and is used to describe Mary, the mother of Christ. The most well-known examples of The Madonna and Child were completed by Italian painter Raphael, who moved from his native Urbino to Florence at the turn of the 16th century. Over the course of his career, the artist created more than 30 paintings of The Madonna and Child, for devotional panels and commercial sales, as well as gifts for friends, including one wedding present. His representations are considered among the most reverential and graceful of Mary and Jesus.

RAPHAEL
Madonna and Child, c. 1506-1507
Oil on yew wood, 27.9 x 22.4 cm
The National Gallery, London

Banksy also created a few originals based on this provoking visual.

Toxic Mary, 2003

Christie’s London: 12 February 2020
Estimated: GBP 400,000 – 600,000
GBP 455,250
BANKSY (b. 1974)
Toxic Mary
,
2003
Spray-paint on two panels on canvas
180×188 cm (74 x 70 3/4 inches)
Painted on a monumental scale, Toxic Mary, 2003, is a forceful, rousing work from the infamous street artist Bansky, whose identity, even after more than twenty years of guerrilla graffiti on walls around the world, remains anonymous. Toxic Mary, Banky’s reinterpretation of a Renaissance Madonna, is one of the artist’s most iconic motifs, first appearing in his clandestine exhibition Turf War, held in London’s Dalston neighbourhood in 2003. In the present work, he has depicted the Virgin Mary cradling baby Jesus, here shown as a double image that has been mirrored across the canvas. Both Marys feed their babies from orange hazard bottles, and, in the sky above, a ring of stars hangs as airplanes roar below; set against a gleaming white, all connotations of virtue and purity traditionally associated with the colour have been purged from the canvas. The work not only satirises the seemingly unimpeachable relationship between mother and child, but also the role of religion more broadly, which, viewed through Bankys’s sardonic eye, is presented not as sheltering force, but as a social poison. If astral imagery has historically been use as a symbol of the heavens, in Banky’s rendering, the divine circle has been broken; the corona borealis of Toxic Mary conjures an unreliable and noxious presence.
Toxic Mary (Double), 2003

Enamel and emulsion on cardboard
200.4 x 170.2 cm (79×67 inches)
Christie’s London, 26 June 2019
GBP 419,250


DESCRIPTION



Toxic Mary

Year: 2003
Medium: Screen-print in colors on wove paper
Size: 70×50 cm (27 1/2 x 19 3/4 inches)
Publisher: Pictures on Walls

Editions

Signed Edition: 150

Unsigned Edition:600

Colorways
Pink, Blue, Red: 44 signed prints each

Numbering and Signature Placement

Numbered /600 in pencil, either lower right or lower left

With or without the publisher’s blindstamp


COLORWAYS


Toxic Mary (Blue), 2003
Edition: 44 signed

 

Toxic Mary (Pink), 2003
Edition: 44 signed

Toxic Mary (Pink), 2003

Edition: 44 signed


AUCTION RESULTS


FOR A DETAILED ANALYSIS OF AUCTION RESULTS
PLEASE CHECK BANKSY VALUE: EARLY PRINTS
YOU WILL ONLY FIND THE MOST RECENT AUCTION RESULTS BELOW

Toxic Mary (unsigned) sold twice at auction in 2025 so far.

Tate Ward Auctions: 19 March 2025
Estimated: GBP 8,000 – 10,000
GBP 10,625 / USD 13,695

BANKSY (British 1974-)
‘Toxic Mary’ (unsigned), 2004
Screenprint in colors on wove paper
Numbered 586/600 in pencil

Forum Auctions: 5 March 2025
Estimated: GBP 10,000 – 15,000
GBP 10,000 (Hammer)
GBP 13,120 / USD 16,910

BANKSY (b.1974)
Toxic Mary (unsigned), 2003
Screenprint in colors on wove paper
Numbered from the edition of 600 in pencil with the publisher’s blindstamp

Toxic Mary (signed) sold once at auction in 2025 so far.

Christie’s online: 1 April 2025
Estimated: GBP 18,000 – 25,000
GBP 35,280 / USD 45,582

BANKSY
Toxic Mary (signed), 2003-2004
Screenprint in colors on wove paper
Signed, dated 04 and inscribed with a heart in pencil
Outside of the Edition (aside from the signed edition of 150) with the publisher’s blindstamp

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