BANKSY
Keep It Real, 2006
Stencil spray-paint on found steel sheet
45.5 x 35.5 cm (18×14 inches)
Unique in this format
Signed and dated “2006” on the reverse
Provenance
Laz Inc, London
Acquired directly from the above by the present owner in 2006
Exhibited
Barely Legal, Los Angeles, 2006
Auction History
| Bonhams London 11 February 2016 Est.: GBP 100,000 – 150,000 |
Price Realized GBP 194,500 / USD 234,305 Bonhams Keep it Real 2006 |
Catalogue Note
Executed in 2006, this unique version of Keep It Real represents a significant evolution of one of Banksy’s defining early compositions. While retaining the familiar chimpanzee carrying the placard inscribed “Keep It Real,” the work departs from the brightly colored canvases of 2002 by embracing an industrial found steel sheet as its support. The result is a composition that is at once more tactile, more architectural and unmistakably rooted in the urban environment from which Banksy’s art first emerged.
The choice of weathered steel fundamentally transforms the work. Rather than functioning as a neutral background, the oxidized surface becomes an active participant in the composition. Layers of rust, scratches and worn paint create a richly textured patina that recalls abandoned factory walls, railway bridges and neglected urban spaces—the very surfaces upon which Banksy established his reputation. The steel bears the marks of time, introducing a sense of history and permanence that contrasts with the fleeting nature of street art.
The juxtaposition is particularly compelling. Against this rugged industrial surface, the crisp black-and-white stencil appears almost fragile. The chimpanzee’s plea to “Keep It Real” resonates differently here than in the brightly colored canvas versions. The message feels less like a graphic slogan and more like an inscription left upon the fabric of the city itself, quietly resisting the passage of time and the relentless transformation of the urban landscape.
Unlike the earlier canvases, where color provided the principal variation, this 2006 example introduces a fundamentally new dimension to the series. By transferring the composition onto a reclaimed steel sheet, Banksy transforms the support itself into part of the artwork, allowing its weathered surface to evoke the walls, bridges and industrial structures that first served as the artist’s canvas. In doing so, Keep It Real evolves from a painted image into an object carrying its own urban history.
This work also occupies an important place within Banksy’s artistic development. Exhibited at Barely Legal in Los Angeles in 2006, the landmark exhibition that firmly established his international reputation, it reflects a period in which the artist increasingly experimented with unconventional supports and found materials. Rather than simply painting on canvas, Banksy began incorporating reclaimed objects into his practice, allowing the history and character of each surface to enrich the meaning of the image. In this respect, the steel sheet is not merely a support—it is an integral part of the artwork.
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Combining an iconic early motif with an industrial found object, this unique work bridges two defining phases of Banksy’s career. It preserves the conceptual clarity and immediacy of his earliest stencil paintings while anticipating the more materially complex works that would follow. Rich in texture, history and symbolism, it stands as one of the most sophisticated and visually compelling interpretations of the Keep It Real series.




