Spray paint on St. George’s Cross Flag
153×90 cm (60 1/4 x 35 3/8 inches)
Executed in 2003, this work is unique
Provenance
Private Collection, Switzerland (gift from the artist)
Artificial Gallery, London
Acquired from the above by the present owner
Auction History
| Bonhams London 3 April 2025 Est.: GBP 80,000 – 120,000 |
Price Realized |
Catalogue Note
This rare and witty work embodies Banksy’s hallmark social commentary, laced with irony and dark humor. Here, he takes St. George’s flag—steeped in history and national identity—and playfully critiques its modern usage. The flag, a derivative of St. George’s Cross, dates back to the Middle Ages and was originally used during the Third Crusade to distinguish English and French soldiers from their adversaries. Over time, St. George became the patron saint of multiple European nations, embodying ideals of Christian chivalry and legendary heroism.
In People Who Enjoy Waving Flags Don’t Deserve to Have One, Banksy has deliberately rotated the red cross, a move that can be interpreted as a reference to the crucifixion of Jesus Christ—one of the most widely recognized symbols of Christianity. Religious imagery has often played a role in his work, as seen in his 2017 Grappling Hook sculpture, which made a powerful statement about the West Bank barrier or depictions of the holy mother in Toxic Mary. By intertwining religious motifs with social critique, Banksy encourages viewers to question the symbols of faith, nationhood, and the automatic allegiances that people adopt without reflection.
Another version of this flag sold at Forum Auctions in London, on 23 April 2021.
BANKSY (b.1974)
People Who Enjoy Waving Flags Don’t Deserve To Have One, 2003
Spray paint on found St George’s Cross Flag
Overall size: 132×95 cm (52 x 37 3/8 inches)
Unique from a series
Provenance
Lazarides Gallery, London
Auction History
| Forum Auctions 23 April 2021 Est.: GBP 200,000 – 300,000 |
|
The flag, once a marker of historical and religious significance, is now most commonly used at royal celebrations and sporting events—particularly football matches, where fans frequently paint their faces with its emblem. Banksy’s work critiques society’s deep-rooted obsession with sport, drawing parallels between the fervor of religious rituals and the often-zealous behavior of sports fans. The phrase stenciled across the composition serves as a sharp commentary on nationalism, highlighting how easily people embrace patriotic symbols without interrogating their true meaning. He satirizes the way individuals derive a sense of unity, pride, and belonging simply by waving a flag, regardless of the broader political or historical implications.
