
BANKSY
You Told Me That Joke Twice, 2000
Acrylic, spray enamel and oil-stick on canvas
124.8 x 165.1 cm (49×65 inches)
Stencil-signed “BANKSY”, lower right
Severnshed, Bristol
Private Collection (acquired from the above in 2005)
Christie’s, London, February 12, 2010, lot 270
Acquired by the present owner from the above sale
Exhibited
Severnshed, Bristol, 2000
Auction History
| Sotheby’s New-York 14 November 2012 Est.: USD 180,000 – 250,000 | Price Realized USD 368,500 (#449) Banksy |
REPEAT SALE
| Christie’s London 11 February 2010 Est.: GBP 100,000 – 150,000 | Price Realized GBP 169,250 / USD 265,140 YOU TOLD THAT JOKE TWICE | Christie’s |
Catalogue Note
Painted in 2000, You Told Me That Joke Twice is one of Banksy’s earliest large-scale canvases and among the finest examples of his painterly style before the stencil became his dominant language. Exhibited at the landmark Severnshed exhibition in Bristol, the work captures the raw energy of the artist’s formative years while already introducing themes that would define his career.

The composition depicts police officers dragging away a brightly colored clown, whose oversized shoes, flowers and comic appearance contrast sharply with the authority and force surrounding him. The title provides the punchline: the clown is seemingly arrested not for a crime, but for repeating a joke. Banksy transforms an absurd premise into a biting reflection on censorship, authority and the thin line separating humour from dissent.
Like court jesters throughout history, the clown occupies a unique social position. He is permitted to mock power—until the joke becomes too uncomfortable. In Banksy’s hands, comedy becomes a metaphor for free expression itself, suggesting that authoritarian systems often tolerate satire only while it remains harmless. Once laughter begins to expose uncomfortable truths, the comedian becomes a target rather than an entertainer.
Executed with broad, expressive brushstrokes and vibrant colour, the painting also reveals Banksy’s debt to figurative painting before his mature stencil aesthetic emerged. The loose handling of paint injects the scene with movement and urgency, while the anonymous police officers foreshadow one of the artist’s most enduring motifs: faceless representatives of institutional power confronting vulnerable individuals.
Both humorous and unsettling, You Told Me That Joke Twice demonstrates that, from the very beginning of his career, Banksy understood that satire possesses extraordinary political force. The joke, after all, is rarely what authority fears most; it is the truth hidden inside it.



